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Yosi Messiah - Abstract   
Orange and My Baby Blue $ 5200
Oil on Canvas 140x110
None
Albino Giraffe $ 2400
Acrylic On Canvas 153x51
None
Dusk City $ 7500
Acrylic On Canvas 168x145
None
Emerald Landscape $ 8800
Acrylic On Canvas 170x176
None
Genesis $ 6500
Acrylic On Canvas 120x137
None
Giraffe $ 5000
Acrylic On Canvas 122x152
None
Interaction $ 5800
Acrylic On Canvas 121x121
None
Oppidan $ 5800
Acrylic On Canvas 121x137
None
Runaway Train $ 6200
Acrylic On Canvas 147x170
None
Spiderweb in Pink $ 4200
Acrylic On Canvas 137x122
None
Aerial Landscape 1 $ 6500
Acrylic On Canvas 61x61
Grids
Red Centre $ 8800
Acrylic On Canvas 152x152
Grids
Diablo $ 5800
Acrylic On Canvas 152x122
None
Spiderweb $ 6500
Acrylic On Canvas 137x137
None
Sunset City $ 4800
Acrylic On Canvas 122x122
None
Sydney Harbour $ 13000
Acrylic On Canvas 122x212
None
Orange and My Baby Blue $ 5200
Acrylic On Canvas 110x140
None
Road Map $ 4800
Acrylic On Canvas 137x137
None
Red $ 3600
Acrylic On Canvas 71x183
None
White Ghost 1 $ 5500
Acrylic On Canvas 157x157
None
 
The enrichment of life through multiculturalism is one of the joys of living in Australia; and few could be more multicultural than Yosi Messiah. Born in Israel of Iraqi parents, his art transports a Middle-Eastern cultural mix to the Australian scene. The results are absorbing, with the complexity of structural forms contrasting with the underlying freedom of painterly gesture – visual metaphors of the city and the landscape. Messiah describes his work as expressing ‘the order and repetition of city shapes superimposed upon the confronting beauty and freedom inherited in this vast Australian continent.’ Any new comer to this land, or an old comer returning home, is immediately struck by the open emptiness of the country in which man’s influence is almost unfelt – the opposite of the old world, and the even older world of the Middle East. The reaction is a fundamental part of our cultural creativity, made more complex and fascinating by the striking individualities provided by the many different backgrounds from which people come. So it is with Messiah, whose abstract paintings are rooted in his experience and creative response, mapping his personal and geographical journey. David Thomas, Melbourne, January 2007 (excerpt)
 
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